GUÍA MUSICA MINIMALISTA

MUSICA MINIMALISTA

I.GUÍA PARA LA PRESENTACIÓN

1/ ¿Cuándo y dónde aparece la música minimalista? ¿Cuáles son sus principales figuras fundadoras y actuales? Comentar la trayectoria de esta corriente y su éxito.

2/ ¿Qué recursos musicales son privilegiados en la música minimalista? ¿Cuáles son los fines o efectos buscados a través de la escasez de material sonoro?

3/ A partir de ejemplos y citas de Terry Riley, Philip Glass, John Cage y/o Peter Ablinger, comentar el pensamiento en el cual se arraíza sus búsquedas musicales.

NB: Dar tanto a leer como a ver y escuchar ejemplos musicales.

II.MATERIAL

-Obras de Peter Ablinger: http://ovh.to/hK6sAwv (link con vencimiento)

-Escritos de Peter Ablinger en su sitio web: http://ablinger.mur.at/

-Obras de Cage (links con vencimiento): http://ovh.to/MkSaFgp

http://ovh.to/ZLazp2V

-Obras de Terry Riley: http://ovh.to/Y5ADUSm

III.BIBLIOGRAFÍA

Bernard, Jonathan W. 1993. "The Minimalist Aesthetic in the Plastic Arts and in Music". Perspectives of New Music 31, no. 1 (Winter): 86–132.
Bernard, Jonathan W. 2003. "Minimalism, Postminimalism, and the Resurgence of Tonality in Recent American Music". American Music 21, no. 1 (Spring): 112–33.
Cope, David (1997). Techniques of the Contemporary Composer, p. 216. New York, New York: Schirmer Books. ISBN 0-02-864737-8.
Fink, Robert (2005). Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley: University of California Press. ISBN 0-520-24036-7. ISBN 0-520-24550-4.
Gann, Kyle (1997). American Music in the Twentieth Century. Schirmer. ISBN 0-02-864655-X.
Gann, Kyle (1987). "Let X = X: Minimalism vs. Serialism." Village Voice (24 February): 76.
Gann, Kyle (2006). Music Downtown: Writings from the Village Voice. University of California Press. ISBN 0-520-22982-7.
Gotte, Ulli (2000). Minimal Music: Geschichte, Asthetik, Umfeld. Taschenbucher zur Musikwissenschaft, 138. Wilhelmshaven: Noetzel. ISBN 3-7959-0777-2.
Johnson, Timothy A. 1994. "Minimalism: Aesthetic, Style, or Technique? " Musical Quarterly 78, no. 4 (Winter): 742–73.
Johnson, Tom (1989). The Voice of New Music: New York City 1972-1982 – A Collection of Articles Originally Published by the Village Voice. Eindhoven, Netherlands: Het Apollohuis. ISBN 90-71638-09-X.
Linke, Ulrich (1997). Minimal Music: Dimensionen eines Begriffs. Folkwang-Texte Bd. 13. Essen, Germany: Die blaue Eule. ISBN 3-89206-811-9.
Lovisa, Fabian R. (1996). Minimal-music: Entwicklung, Komponisten, Werke. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft.
MacDonald, Ian. (2003) "The People's Music". Pimlico Publishing, London. UK ISBN 1-84413-093-2.
Mertens, Wim. 1983. American Minimal Music: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Translated by J. Hautekiet; preface by Michael Nyman. London: Kahn & Averill; New York: Alexander Broude. (Translation of Amerikaanse repetitieve muziek.) ISBN 0-900707-76-3
Nyman, Michael, Experimental Music: Cage and Beyond, 1974, Studio Vista ISBN 0-289-70182-1; reprinted 1999 by Cambridge University Press. ISBN 0-521-65383-5.
Potter, Keith (2000). Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Music in the Twentieth Century series. Cambridge, UK; New York: Cambridge University Press. ISBN 0-521-48250-X.
Schwarz, K. Robert (1996). Minimalists. 20th Century Composers series. London: Phaidon. ISBN 0-7148-3381-9.
Strickland, Edward (2000). Minimalism: Origins. Bloomington: Indiana University Press. Corrected and somewhat revised version of the original 1993 hardback edition. ISBN 0-253-21388-6.
Sweeney-Turner, Steve (1995). "Weariness and Slackening in the Miserably Proliferating Field of Posts." Musical Times 136, no. 1833 (November): 599–601.